New glass, fresh eyes.

My photography journey started with a box brownie in the ’70s, a photography component at high school, and underwater photography in the ’80s using slide film. Photography took a back seat through the ’90s, but was rekindled in the early 2000s with a Canon 350D and 100mm macro lens. That macro lens (for dentistry) opened my eyes to a different way of seeing – getting close, noticing details, finding beauty in the small things.

There no sponsorships. Just genuine enthusiasm for what works. I’m an open book about the tools I use and where I keep learning. This gear didn’t arrive all at once. From there, it’s been a progression: Canon 7D → Canon EOS R → Canon R5 Mark II, adding lenses as I understood what I needed to see better. These are the cameras that help me find quiet beauty, and the channels that keep me curious.

Camera Bodies

My progression: Box Brownie → Nikonos IV → Canon 350D → Canon 7D → Canon EOS R → Canon R5 Mark II

The 7D was my workhorse for learning fundamentals. The EOS R brought me into mirrorless and opened up the RF mount ecosystem. The R5 Mark II is where resolution meets the demands of food photography and macro work – the detail it captures is extraordinary.

Lenses

For Food Photography:
RF 50mm F1.2 – My primary food lens. That F1.2 lets me isolate a single scallop, blur everything else away, and draw you straight into the plate.

For Macro Work:
RF 100mm F2.8 Macro – The lens that taught me “lean in to learn.” Raindrops on wooden pegs. Blackberry drupelets. The bumpy skin of a backyard lime.
EF 100mm F2.8 Macro v1 – My first macro lens. Still beautiful, still teaching me to slow down.
RF 50mm F1.2 – While not a dedicated macro lens, that F1.2 aperture creates stunning close-up work with extraordinary background separation. Perfect for ingredient details and intimate food moments.

For Storytelling & Context:
EF 24-105mm F4 – The reliable generalist. Kitchen scenes, market visits, wide shots showing the whole story.
RF 14-35mm – When I need to capture place – the sweep of a coastline, the bustle of a fish market.

For Travel:
RF 50mm F1.2 – When I travel, especially overseas, I’m limited to one lens. I choose the 50mm prime. Not because it’s convenient, but because it forces compositional thinking. You can’t zoom your way out of a problem – you have to move, consider angles, work within constraints.

For Distance & Reach:
EF 70-200mm F2.8 Mark II – Compression and intimacy from a distance.
RF 100-500mm – For the landscapes and wildlife moments when beauty calls from far away.

YouTube Channels

These channels (in no particular order) have shaped my approach to photography. Each one brings something different – technical mastery, creative vision, or a way of seeing I hadn’t considered. I’m still learning, still curious.

Photo Co

My local camera store. These people understand that photography is a craft, not just transactions. They talk gear, answer questions, and support the Adelaide photography community. Supporting local matters – in food and in photography.

Canon

The tools I use to tell stories. I’ve built my kit across three bodies and multiple lenses because Canon’s ecosystem lets me see and share the way I want to.